
Superman and Batman unite!
About Batman V Superman: Dawn Of Justice
Artist : Chris Terrio, David S GoyerAs : Ben Affleck, Henry Cavill, Amy Adams
Title : Batman V Superman: Dawn Of Justice Cinegratis
Release date : 2016-03-25
Movie Code : 2975590
Duration : 120
Category : Action, Adventure, Science Fiction, Fantasy
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A joyless slog.

Batman v Superman is a tiresome, ill-tempered film, and one too lazy even to earn its dismal outlook.

The movie's not bad but it doubles down on its least-interesting and potent elements at the expense of those that actually work.

Eventually the script's illogic and the relentless pounding of the action scenes wear you down.

Filled with scenes of gloomy characters confronting their demons or wrestling with insipid moral quandaries, this joyless slog isn't a superhero film so much as it is an excruciating therapy session with huge explosions and guys in capes.

As superhero spectacles go, Zack Snyder's Batman v Superman: Dawn of Justice is a grand one, with a mondo-operatic climax and a final shot infused with quivering, exhilarating molecules of grace. It's also not much fun.

Not as bad as Bush v. Gore, but close.

The heavyweight title bout between Batman and Superman is a smash to the senses, the same way being tossed around in a rollover car accident would jolt one's system.

A popcorn film - and this is a popcorn film - should never feel like Sunday night homework.

Underdeveloped, overlong and stupendously dispiriting.

It's a shame that Batman v Superman is also a storytelling disgrace. It has maybe six opening scenes and jumps so incessantly from subplot to subplot that a script doctor would diagnose a peculiarly modern infection: "disjunctivitis."

A ponderous, smothering, over-pixelated zeppelin crash of a movie scored by a choir that sounds like it's being drowned in lava.

It's another numbing smash-and-bash orgy of CGI mayhem with an ending that leaves the door open wide enough to justify the next 10 installments. Is it too late to demand a rematch?

And what of the title's promised skirmish? That face-off between two comics legends becomes but one in a series of big things bashing into other big things, which is what Snyder and writers Chris Terrio and David S. Goyer mistake for storytelling.

The film might be pretty to look at, but narratively speaking, it is a disaster.

Shouldn't all this geeky property colliding still at least be entertaining? Shouldn't it play to the cheap seats instead of wallowing in the murk?

Batman v Superman is kind of dopey and plays out some laborious plot twists in the DC narrative at unnecessary length, but as I've already said it largely kept me entertained for two and a half hours, which is not nothing.

As a pure visual spectacle, however, Batman V Superman ably blows the hinges off the multiplex doors, and editor David Brenner does excellent work to comprehensibly streamline the chaos, capably captured by d.p. Larry Fong.

The studio has, in the usual way, begged and bullied critics not to reveal plot points, and I wouldn't dream of denying you the thrill of discovering just how overstuffed and preposterous a movie narrative can be.

Questions regarding violence and mayhem are drowned out by violence and mayhem. Such is the superhero life as directed by Zack Snyder. There is no problem that can't be solved with a cranium-rattling explosion or two.

When in doubt, [Snyder] simply slings another ingredient into the mix, be it an irradiated monster, an explosion on government premises, or the sharp smack of masonry on skull.

If only the film actually had depth, along with a little levity to lighten the bulk in the script, the visual murk and the sonic overkill.

It is an interesting idea of a film created by people who have no earthly idea how to do it, a quasi-epic without a thimbleful of wit, style or rooting interest in either of its leads.

It hurtles not with the kinetic momentum of Mad Max: Fury Road nor the comparatively spry skip of a Marvel movie, but with an operatic grandeur it sometimes earns and often doesn't.

Blunt, humorless, and baffling, it collides the brutish directorial stamp of its director (he of 300 and Watchmen fame) with the most shameless instincts of our latter-day superhero franchise bubble.

It's freighted not so much with entertainment value as it is with enough talk of fallen gods, absent parents, and dissolute heroes to fuel a Greek tragedy. And . director Zack Snyder seems convinced that that's what he's making.

Half of Batman v Superman: Dawn of Justice is brilliant. Unfortunately, the other half of Zack Snyder's epic-length superhero movie is so bloated that it blunts the effect of the good stuff.

DC and Snyder jammed a lot into "Batman v Superman" to get back into the game. And it often works.

BvS will please those either waiting for the two main players to lock horns on a movie screen, or those who've just been pining for Wonder Woman forever.

Constantly threatening to collapse from self-seriousness, this epic has way too much of everything, including CGI and Oscar winners up the wazoo.

If there's any justice, dawning or otherwise, at the multiplex, audiences will reject Zack Snyder's lumbering, dead-on-arrival superhero melange, a $250 million tombstone for a genre in dire need of a break.

There's a gravitas here that even the staleist of comic book tropes can't diminish. Snyder, who directed Man of Steel and the failed comic book adaptation Watchmen, is nothing less than respectful. The effects aren't bad, either.

In the words of The Joker in a far better Batman movie: "Why so serious?"

Although viewers may be riveted at times, the net experience isn't much fun.

Overlong, underdeveloped and almost entirely humorless, Batman v Superman: Dawn of Justice may please die-hard fans by pitting two DC icons against each other. Everyone else may want to wait for the next Marvel movie.

When it sings, Dawn of Justice is a wonder. When it drags, it still looks good and offers hints of a better scene just around the corner.

Snyder, juiced up by Hans Zimmer's caffeinated score, throws everything at the screen until resistance is futile.

Snyder delivers a superhero epic that's a significant improvement on his work on its predecessor, "Man of Steel."

Rather than escapism and sensory exhilaration, viewers get down in the mire with protagonists who grimace, scowl and wince their way through heroics with the joyless determination of shift workers making the doughnuts.

[Plays] less like a prequel for the JLA then a greatest-hits medley of every superhero movie ever made - a little Dark Knight Rises here, a bit of Batman Begins there, all spiced up with some X-Men topicality. The thing is, none of it convinces.

In a word, exhausting. In a few more, overblown, overstuffed, repetitive, bombastic, and sometimes just dumb. (Never mind dreary to look at and punishing to hear.)

For those who go to the movies to see coherent narratives, [this] is Hollywood's latest exercise in fan service.taking the usual screenplay ingredients of logic, reason and character motivation, tossing it all in a blender and filming the scraps.

A near-total drag, Batman v Superman: Dawn of Justice plays like a loose, unofficial quarter-billion-dollar remake of The Odd Couple, in which Oscar and Felix are literally trying to kill each other.

In Batman v Superman: Dawn of Justice, the Dark Knight and the Man of Steel duke it out and the audience loses.

Snyder sets his story within our modern world and attempts to fashion a kind of commentary on the media and the current geopolitical situation. What he has crafted instead is a grotesque expression of modern emptiness.

The film may be imposing, but it's not fun.

While the Marvel universe, now owned by Disney, is glib and sunny, it's a nice echo of Warner's past as a home to gangsters and gritty melodramas to find its DC world operating very much on the dark end of the street.
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